80/20 Exhibition Update

by on Nov.18, 2014, under blog

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So happy my teacher Choi Yan Chi made the effort to attend my opening.

So happy my teacher Choi Yan Chi made the effort to attend my opening.

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My department head showed up at my opening.

I think he was very excited.

I think he was very excited.

With my parents and my favourite aunt and uncle.

With my parents and my favourite aunt and uncle.

Impromptu lesson for the kids.

Impromptu lesson for the kids.

The amazing team of Art Projects Gallery.

The amazing team of Art Projects Gallery.

So many of my classmates came that we could almost have a class there!

 

80/20 only has one week left to go. Over the past two weeks, many friends, families, mentors and strangers came to my opening, met me at the exhibition and visited the exhibition on their own! Thank you!

Each piece of artwork is based on a statistics or a historical incident. To learn more about each work and about the serious plastic pollution issue, click here. This website has been dedicated to providing the news clip and and videos that provide background information for visitors and interested parties. Thank you to GeeGen who put together this site for me in one week!

 

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80-20-catalogue

Click here for the e-catalogue of the exhibition.

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Months of Preparations…three weeks of show

by on Oct.28, 2014, under blog

Next week will see the opening of my next solo exhibition 80/20 at Art Projects Gallery. This has probably been the toughest exhibition to prepare for. At first I tried to combine this exhibition with class work (for those of you who don’t know, I am pursuing a Master of Visual Arts at Hong Kong Baptist University.) After a while, I realized the gulf between an academic institution and a commercial galley was too wide for me to handle within such a short time.

First try on the rice paper!

First try on the rice paper!

Each turtle took almost an hour...

Each turtle took almost an hour…

sketches for the tiny ones.

sketches for the tiny ones.

I never thought I would use up all my 6B pencils in one day...

I never thought I would use up all my 6B pencils in one day…

Final touches on the Sockeye Salmons after multiple layers of vermillion, crimson and maroon Japanese pigment and colour pencils.

Final touches on the Sockeye Salmons after multiple layers of vermillion, crimson and maroon Japanese pigment and colour pencils.

Using Japanese pigment, a souvenir from a student. :)

Using Japanese pigment, a souvenir from a student. :)

This is probably my favourite piece on the rice paper.

This is probably my favourite piece on the rice paper.

After months of making and remaking the works (along with weeks of working until dawn), I finally came up with a body of works for the exhibition that was planned months ahead. I am truly grateful for the pain I was put through at school. When I look back now, I see that I have gone further. Now without any immediate deadline, I am excited to concentrate on making new works, better works.

Oh, first there is the exhibition next week. See you at the opening.

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Why do I make art?

by on Jun.16, 2014, under blog

 

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Recently I am working towards my solo exhibition in October, at the same time reflecting on what and how I create. Looking back at my past, I saw that my mind and body were often stiff and the techniques formulaic. Having taken some advice from my mentors at school, I began taking Chinese painting and classical drawing and painting lessons to solidify my skills.

The transformation took place slowly and quietly. Without setting rigid rules for my works, I feel much more at ease and fluid with my current piece. I am excited to have my first drawing/painting solo exhibition in Hong Kong. I am much more excited about the evolution I’m going through.

At the same time, I wonder where do I fit in the art ecology. I’ve largely shown with commercial galleries. The commercial art market and the experimental and avant-garde world want very different things. 2D decorative paintings are still the most popular in the art market, whereas the avant-garde are constantly asking for boundary-pushers. Gimme something I haven’t seen.

I keep asking myself. why do I make art? Am I feeding the consumerist cycle, producing products for a privileged class to consume? Do I want to do good with my art? Do I want to change the world?

Not sure if I can come up with an answer today. Back to drawing.

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20th Century /21st Century: Reflection on Second Trimester

by on Apr.23, 2014, under blog

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The second trimester is finally over. It was frustrating, challenging and a steep growing curve.

 

Coming out of it, I feel like I have a clearer idea of my practice. I am uninterested in moving away from drawing and painting, so I would like to stay with a drawing and painting-based practice. What does that mean? I am still exploring.

 

We did many in-class exercises to sharpen our thinking and sensitivity. It took me a while to warm up to them but some really helped free me from my self-made boundaries. My favourite was the drink exercise. (To make a drink representing your identity to share with the class.) I dripped my tears, sweats and blood into a  hand-painted wine glass of water. After I took a sip, I passed the glass around the classroom and invited my classmates to take a sip. (Two people did.) At the end of the round, I would take another sip. (See page 8 of source book for more information.)

 

We were asked to compile all the exercise documentation into a source book. The source book not only serves as a record of this trimester, but also as a logbook of our practice.

 

Since the term raised so many questions for me, I decided to conduct an interview in my head and made my source book into a magazine. I enjoy having gallery shows yet I hope the new works will be more than commodities. I recognize this is not the only outlet for my creativity. I have learnt to be more open-minded.23579

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Michelle Kuen Suet Fung 馮捲雪

Animals and their relationships with humans are a long recurring thread in her works.

動物和它們跟人類的關係,是馮捲雪長期以來在作品中探討的議題。