Salt Spring Island and the Setouchi Art Festival

by snow on Jun.01, 2010, under blog

Over the long weekend, I had dear family friends over from Hong Kong. We spent a fantasbulous weekend on Salt Spring Island sampling local gourmet food and taking in the local art scene. The wee charming cottage we stayed at had a 180 degree ocean view. That is hard to beat! See the beautiful starts and the moon in the sky, and the vibrant rainbows? That’s right from our balcony!

James told me a lot about the Setouchi International Art Festival in Japan. The idea of the festival is to bring a younger demography back to the ageing rural farming communities. The concept originated 23 years ago when the publishing tycoon Tetsuhiko Fukutake populated the island of Naoshima with his art collection, including artworks by prominent artists such as Yayoi Kusama and James Turrell, and an art museum designed by architecture giant Tadao Ando.

In 2000, a triennial art festival began in Echigo Tsumari, a scenic and mountainous region of Japan that consists mainly of farmland. The public art in this festival is to involve the entire community with contemporary art. Keep in mind that the average age of the population is 55, and most people have less than a dozen English vocabulary. At this festival, the artist is no longer the autonomous genius that designs public art with loft goals. The art projects are a genuine connection between the artist and the local farmers, and that between the city and the rural.

I was so touched by the story–an artist made some larger-than-life colourful metal sculptures of farmers as silhouettes on some farmland on a slope, so that viewers can see the representation of the local farmers miles away. Past the age of 70, the owner of the farmland wanted to retire. However, he had decided to continue farming. He says, if his land becomes barren, the artwork no longer makes sense. Here, the term “the art takes on a life of its own” is more than a mere cliché. The art originates from the people and the land, rather than from the artist’s singular narrow life experiences.

In 2010, the idea has extended to southern Japan. Seven islands and one port city (including Naoshima) are uniting to host Setouchi International Art Festival 2010 (瀨戶內國際藝術祭.) James from Sense Art Studio (my Hong Kong art agent) is responsible for recruiting volunteers from Hong Kong, and has kindly invited me to go. From his enthusiastic descriptions, this can be another life-changing experience!

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4 Comments for this entry

  • Pucky

    I heard about the art project last time I went to see your work at the gallery too! Sounds very fun and meaningful: )

  • snow

    Thank you Pucky for going to the gallery! It was so intriguing listening to James talk about the festival from his personal point of view. Sounded like one of those profound life-changing experiences.

  • James Lam

    what a beautiful entry!! I really didn’t want to give you any preconceived idea of the place. But our ultimate goal is to start something like this in Hong Kong and to let us re-think about ‘development’ and ‘progress’. That it should always be about the quality of human lives.

    Hope to see you in Japan soon!

    And I LOVE your works!!! It’s great to see an artist continue to grow and break her own boundaries!

  • snow

    Thanks James. I didn’t realize how much further research I had yet to do before I could write a short blog entry on the art festival! Thank you for giving me a fantastic excuse. I also did some detour research on various artists. Very enjoyable.

    I am sure I still got a few facts mixed up. Very few artists are facts-oriented, at least I am not one of the minority! I have many new works coming (just painted the background for “W for Withered” yesterday! In fact, I just finished another tree series. RSS my blog. It’ll be up on my blog next week! Can’t wait to see you soon and chat more about art!

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Michelle Kuen Suet Fung 馮捲雪

Intricate, delicate and very cute drawings and paintings by Chinese Canadian artist Michelle Kuen Suet Fung.

馮捲雪利用介乎成人與童年世界的視覺空間,以細膩的筆觸,時而幽默、時而深沉的心情勾畫出她對這世界的種種問題。她的創作風格揉合了兒童插畫、日本漫畫和西方傳統版畫的影響。一幅幅作品滲透着東方細膩精美的韻味,同時也綻放西方大膽直接的光芒。